“To die and to be born – two actions like one” : The analogy of birth and death in an allegorical play of Calderón

Hannah Mühlparzer

doi:10.25365/adv.2022.4.7521

Authors

Hannah Mühlparzer University of Vienna

DOI:

https://doi.org/10.25365/adv.2022.4.7521

Keywords:

Calderón, allegory, marriage, Body, Soul, death, birth, religious iconography, Spanish Golden Age

Abstract

In this article, we delve into Calderón's allegorical religious play El Pleito Matrimonial (1650?), focusing on the central theme of a wedding between Body and Soul. Through an unequal union, the immortal Soul and mortal Body face conflict, with Death and Sin plotting against their marriage. Calderón explores the extremes of life and death, depicting the intertwined nature of birth and mortality. As the plot unfolds, Soul demands the annulment of the marriage, leading to a profound exploration of life's transient nature and the hope for reunification beyond death. The play challenges conventional notions of birth and death, drawing parallels with religious iconography and inviting contemplation on the cycle of life. Through an intermedial approach, the play's semantic richness and cultural connotations are illuminated, offering a thought-provoking perspective on existence.

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