Tirón de orejas al héroe de su amante (Hércules y Ónfale en Rubens): Ejemplos de amor, humor y pedagogía en un gesto de castigo insólito y transgresor

Rafael Beltrán

doi:10.25365/adv.2024.6.8524

Authors

Rafael Beltrán Universitat de València https://orcid.org/0000-0002-9346-3105

DOI:

https://doi.org/10.25365/adv.2024.6.8524

Keywords:

Rubens, Hércules y Ónfale, tirón de orejas, Tirant lo Blanc, Hercules, Omphale, Power dynamics, Gender roles

Abstract

Abstract: In Rubens' Hercules and Omphale (1602-1605), the queen of Lydia, Omphale, is depicted pulling the ear of Hercules, son of Jupiter and Alcmena, in an unusual and vulgar gesture. This act symbolizes her dominance over the legendary hero. Omphale is portrayed as graceful and commanding, while Hercules, nearly naked, sits submissively beside her. This inversion of roles, with Omphale wielding Hercules' lion skin cloak and him holding her spinning wheel, serves to ridicule and feminize him. The painting raises questions about power dynamics and gender roles in classical mythology. Omphale's casual demeanor contrasts with Hercules' stoic acceptance, hinting at a complex interplay of dominance and submission.

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