Diglossia, Intralingual Translation, Rewriting
Towards a New Approach to the Analysis of the Relationship between Ming-Qing Vernacular Stories and their Classical Sources (2)
DOI:
https://doi.org/10.25365/jeacs.2023.4.lanselleKeywords:
huaben, short story, intralingual translation, diglossia, rewriting, commentary, vernacular literature, textual comparison, early modern China, Ming-QingAbstract
The article addresses the issue of the numerous vernacular narratives of the huaben 話本 genre (late Ming/early Qing period, 17th c.) that are the result of the rewriting of earlier sources in literary language. It introduces a new method of analysis of this transformative process based on a systematic survey of the components of these stories: language, narrative points of view, rewriting micro-strategies. This allows for a detailed description of the way in which the authors/editors of the time produced these narratives. This methodology is anchored in a comprehensive theoretical approach to the development of the vernacular in the period under consideration, underlining that the definition of the vernacular is not purely linguistic but includes many other factors. It recalls that the situation of diglossia in written Chinese was a subject that authors of the time were acutely aware of and which they discussed extensively in their critical writings. It suggests that the process whereby huaben were produced from earlier sources corresponds to what has been described in modern times as intralingual translation, which could be defined as a commentary, but a commentary that plays on several language registers.
十七世紀中國出現大量基於文言小說改編的話本小說。本文通過考察話本這一敘事體裁的語言、敘事視角和微觀改寫策略，介紹一種分析小說改編過程的新方法，用以詳細描述作者或編者的寫作方式和敘述宗旨。文章立足於對明末清初通俗文學發展的綜合性理論研究，強調對“俗”的特殊定義，比如“白話”不單純指一套語言上與文言相對的體系，而是還包括許多其他因素。評論著作表明，當時的作家和文人都敏銳地意識到中文書面語中白話與文言並存的現象。基於文言模本的話本小說，其編寫過程在某種意義上實屬翻譯學的“語內翻譯”範疇。語內翻譯基本上可視為一種評述，在這裡則表現爲一種轉換不同語體的評述。
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