Rezension: "Lola, Toni, Yella und die anderen: Der deutsche Film nach 1990. Ein Kanon" von Corina Eker, Matteo Galli & Jörn Glasenapp (Hg.)

Abstract

In a total of 30 contributions, the anthology deals with 30 films that are considered representative of filmmaking in Germany since 1990. The work creates an analytical overview that shows that above all the main concern of the films are Germany's own contemporary history and living in a country dominated by migration that are seen as representative of recent cinematic work.